Rodney McMillian: History is Present Tense
McMillian’s elegiac works remind us that America’s current situation stems directly from unresolved original sins that go back generations, even to the country’s founding.
– Joseph R. Wolin, Glasstire
Spanning the past two decades, the book presents an index of Rodney McMillian’s performance-based work, as well as a fresh look at Against a Civic Death, a 2018 exhibition of McMillian’s at The Contemporary Austin. McMillian’s art is direct and unflinching. Works like his hand-sewn vinyl work The White House Painting, 2018, challenge viewers to confront societal and individual narratives—whether those narratives are personal, political, or institutional, whether they are “true” or fly in the face of truth.
Designed and researched with the artist’s close participation, the book itself serves as both a testament to and a manifestation of McMillian’s disruptive, revealing art.
McMillian’s elegiac works remind us that America’s current situation stems directly from unresolved original sins that go back generations, even to the country’s founding.
– Joseph R. Wolin, Glasstire
Spanning the past two decades, the book presents an index of Rodney McMillian’s performance-based work, as well as a fresh look at Against a Civic Death, a 2018 exhibition of McMillian’s at The Contemporary Austin. McMillian’s art is direct and unflinching. Works like his hand-sewn vinyl work The White House Painting, 2018, challenge viewers to confront societal and individual narratives—whether those narratives are personal, political, or institutional, whether they are “true” or fly in the face of truth.
Designed and researched with the artist’s close participation, the book itself serves as both a testament to and a manifestation of McMillian’s disruptive, revealing art.
McMillian’s elegiac works remind us that America’s current situation stems directly from unresolved original sins that go back generations, even to the country’s founding.
– Joseph R. Wolin, Glasstire
Spanning the past two decades, the book presents an index of Rodney McMillian’s performance-based work, as well as a fresh look at Against a Civic Death, a 2018 exhibition of McMillian’s at The Contemporary Austin. McMillian’s art is direct and unflinching. Works like his hand-sewn vinyl work The White House Painting, 2018, challenge viewers to confront societal and individual narratives—whether those narratives are personal, political, or institutional, whether they are “true” or fly in the face of truth.
Designed and researched with the artist’s close participation, the book itself serves as both a testament to and a manifestation of McMillian’s disruptive, revealing art.
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Co-published with The Contemporary Austin
Texts by Adrienne Edwards, Julia V. Hendrickson, Heather Pesanti, Bennett Simpson, Cherise Smith
Hardcover / 9.25 x 12.5 nches
280 images / 372 pages
ISBN: 9781942185390 -
Rodney McMillian (b. 1969, Columbia, South Carolina) lives and works in Los Angeles, CA. McMillian explores the complex and fraught connections between history and contemporary culture, not only as they are expressed in American politics, but also as they are manifest in American modernist art traditions. Aspects of his work negotiates between the body of a political nature and the politic of a bodily nature.
McMillian received an MFA from the California Institute of the Arts in 2002. His installation In this land, 2019 was on view as part of the New Work series at the San Francisco Museum of Modern Art from February 9 – June 9, 2019. He had a solo exhibition at the Underground Museum in Los Angeles, CA in October 2019. He received the Contemporary Austin’s first Suzanne Deal Booth Art Prize in 2016, and the resulting solo exhibition Against a Civic Death was on view through August 26, 2018. In 2016, McMillian had solo exhibitions at the ICA Philadelphia, the Studio Museum in Harlem, and MoMA PS.1. Each of these exhibitions highlighted a particular set of material and conceptual concerns in McMillian’s multivalent practice. Other recent solo exhibitions include “Landscape Paintings,” Aspen Art Museum, CO (2015); “Sentimental Disappointment,” Momentum 14: Rodney McMillian, The Institute of Contemporary Art, Boston, MA (2009); The Kitchen, New York (2008). McMillian’s work was featured in the 2015 Sharjah Biennial, curated by Eungie Joo. His work has also been included in group exhibitions at The National Portrait Gallery, London, MASS MoCA, North Adams, MA; the CCA Wattis Institute, San Francisco, CA; the Astrup Fearnley Museet, Oslo, Norway; The Institute of Contemporary Art, Boston; The Institute of Contemporary Art, Philadelphia; the Contemporary Art Museum Houston; the Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; the UCLA Hammer Museum, Los Angeles; and the Los Angeles County Museum of Art among many others.