Jungjin Lee: Desert

$250.00

“Lee’s true subject may ultimately have more to do with her interior landscape than the one in front of her camera.”

Jean Dykstra, Photograph Magazine

Photography by Jungjin Lee
Texts by Jungjin Lee and Robert Frank

Four books in a slipcase
10 x 14 inches
188 pages / 106 images

Trade ISBN: 9781942185277
Signed ISBN: 9798890180070

Rare: $250

Limited edition of this book available HERE

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“Lee’s true subject may ultimately have more to do with her interior landscape than the one in front of her camera.”

Jean Dykstra, Photograph Magazine

Photography by Jungjin Lee
Texts by Jungjin Lee and Robert Frank

Four books in a slipcase
10 x 14 inches
188 pages / 106 images

Trade ISBN: 9781942185277
Signed ISBN: 9798890180070

Rare: $250

Limited edition of this book available HERE

“Lee’s true subject may ultimately have more to do with her interior landscape than the one in front of her camera.”

Jean Dykstra, Photograph Magazine

Photography by Jungjin Lee
Texts by Jungjin Lee and Robert Frank

Four books in a slipcase
10 x 14 inches
188 pages / 106 images

Trade ISBN: 9781942185277
Signed ISBN: 9798890180070

Rare: $250

Limited edition of this book available HERE

In this body of work produced over five years in the early 1990s, JUNGJIN LEE captures the vast American Southwest and transforms it with liquid light and diluted light-sensitive emulsions to create images that are as uncontrollable and natural as the landscape she depicts. 

Desert comprises four series of works (each bound as a separate book and presented in a unique slipcase), all of which contain monochromatic images of arid lands. Stratigraphy etched into rock faces, massive stones, cave-like precipices, and anthropomorphic fauna showcase an extensive compendium of the desert’s many faces and textures. 

Each image focuses on the landscape’s formal qualities, eschewing human presence, simultaneously evoking late 19th-century photography, while epitomizing the stark modernity of Lee’s lens. Certain images provoke a sense of the infinite in their vastness, while others fix upon particular features, deftly transitioning from the macro to the micro.