Dayanita Singh: House of Love

$150.00

“I don’t feel I’m making just a photobook. I’m transforming the photobook. I love the photobook; I just want the photobook to do more.”

Dayanita Singh, Artforum

Photo fiction by Dayanita Singh
Writings by Aveek Sen

Hardbound
6.25 x 9.25 inches
198 pages / 63 color and 48 black-and-white images
ISBN: 9781934435274

Co-published with the Peabody Museum Press

Trade: $50
Now Rare: $100

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“I don’t feel I’m making just a photobook. I’m transforming the photobook. I love the photobook; I just want the photobook to do more.”

Dayanita Singh, Artforum

Photo fiction by Dayanita Singh
Writings by Aveek Sen

Hardbound
6.25 x 9.25 inches
198 pages / 63 color and 48 black-and-white images
ISBN: 9781934435274

Co-published with the Peabody Museum Press

Trade: $50
Now Rare: $100

“I don’t feel I’m making just a photobook. I’m transforming the photobook. I love the photobook; I just want the photobook to do more.”

Dayanita Singh, Artforum

Photo fiction by Dayanita Singh
Writings by Aveek Sen

Hardbound
6.25 x 9.25 inches
198 pages / 63 color and 48 black-and-white images
ISBN: 9781934435274

Co-published with the Peabody Museum Press

Trade: $50
Now Rare: $100

House of Love is a work of photo fiction by DAYANITA SINGH. Working closely with writer Aveek Sen, whose prose follows a journey of its own, Singh explores the relationships among photography, memory, and writing. House of Love, designed to blur the lines between an art book of photographic images and a work of literary fiction, is a book whose images demand to be read, not just seen, and whose texts create their own sensory worlds. The combination creates a new vocabulary for the visual book.

The “House of Love” itself is the Taj Mahal, but the Taj Mahal as a recurring motif that stands for a range of meanings—meanings made up of the truths and lies of night and day, love and illusion, attachment and detachment. Through images of cities both visible and invisible, of people real and surreal, Singh creates her own mysterious and ineffable, strange yet familiar language, using her trademark black-and-white photography and her newer nocturnal color work.