David Deutsch: Works 1968-2017

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Mr. Deutsch’s paintings are grown-up, complex of space and surface, and rich in notions of human interaction or the lack thereof; voyeurism and solitude; and often an ambiguous ominousness.”

Roberta Smith, The New York Times


Artwork by David Deutsch
Texts by Jarrett Earnest and Bruce W. Ferguson

Hardcover
11 x 12 inches
176 pages / 120 images
ISBN: 9781942185246

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Mr. Deutsch’s paintings are grown-up, complex of space and surface, and rich in notions of human interaction or the lack thereof; voyeurism and solitude; and often an ambiguous ominousness.”

Roberta Smith, The New York Times


Artwork by David Deutsch
Texts by Jarrett Earnest and Bruce W. Ferguson

Hardcover
11 x 12 inches
176 pages / 120 images
ISBN: 9781942185246

Mr. Deutsch’s paintings are grown-up, complex of space and surface, and rich in notions of human interaction or the lack thereof; voyeurism and solitude; and often an ambiguous ominousness.”

Roberta Smith, The New York Times


Artwork by David Deutsch
Texts by Jarrett Earnest and Bruce W. Ferguson

Hardcover
11 x 12 inches
176 pages / 120 images
ISBN: 9781942185246

 

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  • Over the past fifty years, DAVID DEUTSCH has used a variety of techniques—painting, sculpture, photography, drawing, and conceptual mixed media—to create artwork that addresses complicated themes of the interior and exterior. 

    From voyeuristic nighttime aerial photography to painterly abstracted landscapes, Deutsch wrestles with how we occupy our lives and the tension that exists as we navigate paths through time and memory.  This extensive monograph provides a thorough look at a body of work that is at once innovative, familiar, and provocative.

  • Originally from Los Angeles, David Deutsch (b. 1943) developed a life-long interest in the Planetarium, which he expresses in his conceptual paintings that includes telescopic landscape vistas and large arrangements of tiny portraits. He is especially fascinated by virtual nothingness, that which appears vast and endlessly deep or that which is perceived but not obviously visible. Some of his paintings are created from aerial photographs and have been the subject of a series called "Surveillance." In the mid-1970s, he was painting rooms filled with technological equipment such as video cameras, receivers, and tape recorders, as well as landscapes with abstract figures and technology. But his landscape panoramas without figures brought him his primary attention. Known primarily as a landscape painter, David Deutsch’s latest paintings are representational, abstract, wildly painterly and idiosyncratic. Despite their initially crude appearance, Deutsch’s paintings are grown-up, complex of space and surface, and rich in notions of human interaction or the lack thereof; voyeurism and solitude; and often an ambiguous ominousness. The swirling brushwork can read as the tensions of everyday life, a darker societal gloom, rough weather or some other disaster.

    In 1972, Deutsch had his first solo show in Los Angeles at the Michael Walls gallery, and that same year he moved to New York City but set up a routine of spending his summers in Maine. He first lived in a loft in the West Village and became a part of group shows with well-known artists such as Robert Mangold, Keith Sonnier, and Brice Marden. By the late 1990s, his studio was in a four-story town house in mid-town Manhattan. 

    Deutsch has exhibited in galleries including Andrea Rosen Gallery, New York; Christine Burgin Gallery, New York; Kerry Schuss, New York; Blum & Poe, Los Angeles and more. Deutsch is also in collections at institutions including Boston Museum of Fine Arts, Boston; Brooklyn Museum, Brooklyn; Los Angeles County Museum of Art, Los Angeles; Metropolitan Museum of Art, New York; Museo Rufino Tamayo, Mexico City and more.