Christina Seely: Lux

$60.00

“Seely photographed major cities in the United States, Japan and western Europe to contrast the beauty and complexity of these man-made light sources.”

Catie Leary, Treehugger


Photographs by Christina Seely
Texts by Jane Brox, Natasha Egan, and Liam Young

Hardcover with soft acetate jacket
11.75 x 14.75 inches
95 pages / 45 color images
ISBN: 9781934435663

Co-published with the Museum of Contemporary Photography

Limited edition of this book available HERE

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“Seely photographed major cities in the United States, Japan and western Europe to contrast the beauty and complexity of these man-made light sources.”

Catie Leary, Treehugger


Photographs by Christina Seely
Texts by Jane Brox, Natasha Egan, and Liam Young

Hardcover with soft acetate jacket
11.75 x 14.75 inches
95 pages / 45 color images
ISBN: 9781934435663

Co-published with the Museum of Contemporary Photography

Limited edition of this book available HERE

“Seely photographed major cities in the United States, Japan and western Europe to contrast the beauty and complexity of these man-made light sources.”

Catie Leary, Treehugger


Photographs by Christina Seely
Texts by Jane Brox, Natasha Egan, and Liam Young

Hardcover with soft acetate jacket
11.75 x 14.75 inches
95 pages / 45 color images
ISBN: 9781934435663

Co-published with the Museum of Contemporary Photography

Limited edition of this book available HERE

For most of human history, man-made light has signified hope and progress. Made between 2005 and 2010, and titled after the unit for measuring illumination, Seely’s project focuses on light produced by 45 cities in the United States, Western Europe, China and Japan–the most brightly illuminated regions on NASA maps of the earth at night. These economically and politically powerful regions have the greatest impact not only on the night sky but also on the planet’s ecology. 

CHRISTINA SEELY’s portraits are less about the individual locations and more about the global ramifications of consumption, and for this reason each photograph is titled simply “Metropolis,” with a notation of the city’s latitude and longitude.

The book’s large-format design is an echo of the exhibition installations of the project, and includes a key-coded NASA map (in a separate pocket), which connects the singular to the global. Texts by Jane Brox, Natasha Egan, and Liam Young help create a broader understanding of the project and its place in Seely’s entire body of work.