Bill Jacobson: Place (series)

$150.00

”Each body of work has references to our individual and collective memories, and the idea that we hold on to some images while, over time, let go of others.”  

Bill Jacobson


Photographs by Bill Jacobson
Poem by Maureen N. McLane

Softbound with jacket
11.75 x 14.5 inches

92 pages / 39 color images
ISBN: 9781934435939

Trade: $65
Rare, Signed: $150

The limited-edition black cover version of this book is sold out. 


Limited edition of this book available HERE

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”Each body of work has references to our individual and collective memories, and the idea that we hold on to some images while, over time, let go of others.”  

Bill Jacobson


Photographs by Bill Jacobson
Poem by Maureen N. McLane

Softbound with jacket
11.75 x 14.5 inches

92 pages / 39 color images
ISBN: 9781934435939

Trade: $65
Rare, Signed: $150

The limited-edition black cover version of this book is sold out. 


Limited edition of this book available HERE

”Each body of work has references to our individual and collective memories, and the idea that we hold on to some images while, over time, let go of others.”  

Bill Jacobson


Photographs by Bill Jacobson
Poem by Maureen N. McLane

Softbound with jacket
11.75 x 14.5 inches

92 pages / 39 color images
ISBN: 9781934435939

Trade: $65
Rare, Signed: $150

The limited-edition black cover version of this book is sold out. 


Limited edition of this book available HERE

BILL JACOBSON: Place (Series) showcases the acclaimed photographer’s newest body of work, for which he won a 2012 Guggenheim Fellowship. The artist describes the images as “the result of inserting rectangles of various sizes and surfaces within both constructed and natural settings. They question what is ‘real’ and what is ‘abstract’, while suggesting that the creation of place is constant, stemming from need, choice, and desire.”

As opposed to the out-of-focus work for which he initially became known, these photographs speak to our perceptual interactions with the physical world that surrounds us. They are based on the idea that we live in a world of infinite images, while denying boundaries between interior and exterior, known and unknown, color swatch and landscape.