Agnes Martin: Independence of Mind
I think we’ve fallen into an elaborate but beneficent trap that Agnes Martin has set for us. She gives the paintings these titles so that when you speak of them, you can say something like, “I love Happiness” or “I’m very moved by Innocence” or “I came around a corner and saw Friendship.” She’s giving us language in an unembarrassed way, so that things can happen to us when we actually say those words.
—Teju Cole
Texts by Teju Cole, Bethany Hindmarsh, Bill Jacobson, Jennie C. Jones, James Sterling Pitt, Alison Rossiter, Jenn Shapland, Darcey Steinke, Martha Tuttle, and Susan York
Edited by Chelsea Weathers
Hardcover with jacket
8.25 x 11 inches
192 pages / 90 images
ISBN: 9781942185871
Trade: $55Now Rare: $150
Current edition is RARE and available now for $150.
Pre-order your copy of the forthcoming edition, available at $55 and launching in winter/spring 2025.
I think we’ve fallen into an elaborate but beneficent trap that Agnes Martin has set for us. She gives the paintings these titles so that when you speak of them, you can say something like, “I love Happiness” or “I’m very moved by Innocence” or “I came around a corner and saw Friendship.” She’s giving us language in an unembarrassed way, so that things can happen to us when we actually say those words.
—Teju Cole
Texts by Teju Cole, Bethany Hindmarsh, Bill Jacobson, Jennie C. Jones, James Sterling Pitt, Alison Rossiter, Jenn Shapland, Darcey Steinke, Martha Tuttle, and Susan York
Edited by Chelsea Weathers
Hardcover with jacket
8.25 x 11 inches
192 pages / 90 images
ISBN: 9781942185871
Trade: $55Now Rare: $150
Current edition is RARE and available now for $150.
Pre-order your copy of the forthcoming edition, available at $55 and launching in winter/spring 2025.
I think we’ve fallen into an elaborate but beneficent trap that Agnes Martin has set for us. She gives the paintings these titles so that when you speak of them, you can say something like, “I love Happiness” or “I’m very moved by Innocence” or “I came around a corner and saw Friendship.” She’s giving us language in an unembarrassed way, so that things can happen to us when we actually say those words.
—Teju Cole
Texts by Teju Cole, Bethany Hindmarsh, Bill Jacobson, Jennie C. Jones, James Sterling Pitt, Alison Rossiter, Jenn Shapland, Darcey Steinke, Martha Tuttle, and Susan York
Edited by Chelsea Weathers
Hardcover with jacket
8.25 x 11 inches
192 pages / 90 images
ISBN: 9781942185871
Trade: $55Now Rare: $150
Current edition is RARE and available now for $150.
Pre-order your copy of the forthcoming edition, available at $55 and launching in winter/spring 2025.
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This is a re-envisioned, fresh look at Agnes Martin, the enigmatic, influential, highly independent painter whose life (1912–2004) spanned much of the twentieth century and extended into the twenty-first. Martin’s abstract, deceptively simple paintings continue to resonate with contemporary artists and writers. In a series of essays commissioned especially for this volume, the contributors write about Martin’s influence on their creative lives and work, and offer new interpretations that defy stereotyped notions about Martin’s life. The result is a varied tapestry of voices, proving that Martin’s art still influences the contemporary world, and offering glimpses into modes of being and making that are still relevant nearly two decades after her death.