Colleen Plumb: Animals are Outside Today
”Plumb explores our use of animals for entertainment, companionship, food, and work, and how their images populate our consciousness, our rituals, our myths and symbols, and even our corporate branding.”
— Neil Harris, TIME
Photographs by Colleen Plumb
Essay by Lisa Hostetler, Milwaukee Art Museum
Hardbound
9 x 10 inches
128 pages / 65 images
ISBN: 9781934435366
”Plumb explores our use of animals for entertainment, companionship, food, and work, and how their images populate our consciousness, our rituals, our myths and symbols, and even our corporate branding.”
— Neil Harris, TIME
Photographs by Colleen Plumb
Essay by Lisa Hostetler, Milwaukee Art Museum
Hardbound
9 x 10 inches
128 pages / 65 images
ISBN: 9781934435366
”Plumb explores our use of animals for entertainment, companionship, food, and work, and how their images populate our consciousness, our rituals, our myths and symbols, and even our corporate branding.”
— Neil Harris, TIME
Photographs by Colleen Plumb
Essay by Lisa Hostetler, Milwaukee Art Museum
Hardbound
9 x 10 inches
128 pages / 65 images
ISBN: 9781934435366
Henry Beston stated the following in his book, The Outermost House, in 1928: “They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.” Animals Are Outside Today is a journey examining underneath this net, offering us the chance to contemplate our intersections with animals and consider the multi-layered impact humans have on other living beings.
Contradictions define our relationships with animals. We love and admire them; we are entertained and fascinated by them; we take our children to watch and learn about them. Animals are embedded within core human history—evident in our stories, rituals and symbols. At the same time, we eat, wear and cage them with seeming indifference, consuming them in countless ways.
Our connection to animals today is often developed through assimilation and appropriation; we absorb them into our lives, yet we no longer know of their origin. Most people are cut off from the steps involved in their processing or acquisition, shielded from witnessing their death or decay. This book moves within these contradictions, always questioning if the notion of sacred will survive alongside our evolution.