ABOUT THE BOOK
Published to coincide with an exhibition organized by Bob Nickas, on view at David Zwirner, New York (February 19 – March 23, 2013), this indispensable catalogue on Alan Uglow (1941-2011) includes all new photography of paintings created from the early 1990s through 2010, past interviews, archival images, and an exhibition chronology illustrated with images of museum and gallery invitation cards.
Uglow quickly gained a reputation as an “artist’s artist.” Working in series that evolved slowly over decades, he always remained faithful to his central vision and his practice was unaffected by the increasingly commercial demands of the art scene in the 1980s and 1990s. His paintings revolve around a subtle dialogue between notions of center and edge, and are executed gradually, with several layers of paint. They appear at once calm and dynamic, and simultaneously suggest emptiness and ground.
ABOUT THE ARTIST
Alan Uglow’s work is represented in private and public collections internationally, including the Cincinnati Art Museum; Gemeentemuseum, The Hague; High Museum, Atlanta; Le Consortium, Dijon, France; Musée des Beaux-Arts, La Chaux-de-Fonds, Switzerland; Museum Haus Esters, Krefeld, Germany; Museum Wiesbaden, Wiesbaden, Germany; National Gallery of Iceland, Reykjavik; Sammlung Goetz, Munich; Sammlung Lafrenz, Hamburg; Staatliche Museen zu Berlin; and the Stedelijk Museum, Amsterdam.