About the Book
In Hiroshima, Japan a twisted steel dome is grim reminder of a city destroyed by the first atomic bomb used in warfare. It is a history no one dares to forget. Halfway around the globe in the Utah/Nevada border stands another ruin, the airplane hangar inside of which the bomber that carried the Hiroshima bomb was readied for its mission. Wendover Airbase, once the world’s largest, now crumbles from neglect. The stories and relics at Wendover describe more than the past, they also point to a historic cycle; to a present filled with new apprehensions that carry the potential for a chilling future. Artist Mark Klett, known for his ongoing exploration of landscape, history and the passage of time through the medium of photography, and William L. Fox, a celebrated science and art writer whose work has focused on human cognition and memory, teamed up to create a fascinating visual and verbal multi-layered portrait of Wendover Airbase and the experience of memory in relation to the use of the atomic bomb by the American military in World War II.
About the Artist
Mark Klett photographs the intersection of cultures, landscapes and time. He worked as a geologist before turning to photography. Klett has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Buhl Foundation, and the Japan/US Friendship Commission. His work has been exhibited and published both nationally and internationally for over 30 years, and his work is held in over 80 museum collections worldwide. He is the author of thirteen books including Saguaros (Radius Books, 2007), After the Ruins (University of California Press 2006), Yosemite in Time (Trinity University Press, 2005), and Third Views, Second Sights (Museum of New Mexico Press 2004). Mark Klett is Regents’ Professor of Art at Arizona State University in Tempe, Arizona.
About the Writer
William L. Fox is a writer whose work is a sustained inquiry into how human cognition transforms land into landscape. His numerous nonfiction books rely upon fieldwork with artists and scientists in extreme environments to provide the narratives through which he conducts his investigations. He also serves as the Director of the Center for Art + Environment at the Nevada Museum of Art in Reno. Fox was born in San Diego and has edited several literary magazines and presses, among them the West Coast Poetry Review, and worked as a consulting editor for university presses, as well as being the former director of the poetry program at the Squaw Valley Community of Writers. In the visual arts, Fox has exhibited text works in more than two dozen group and solo exhibitions in seven countries. His poems, articles, reviews, and essays have appeared in more than seventy magazines, has had fifteen collections of poetry published in three countries, and has written eleven nonfiction books about the relationships among art, cognition, and landscape. He has also authored essay for numerous exhibition catalogs and artists’ monographs. Fox has been awarded fellowships from the Guggenheim Foundation and the National Endowment for the Humanities.