DAVID TAYLOR: MONUMENTS (LIMITED EDITION)

  • Co-Published with the
    Nevada Museum of Art
    Hardcover, 11.25 x 14.25 inches
    336 Pages, 279 Color images
    Includes two fold-out images

  • Photography by David Taylor

    Text by Daniel D. Arreola,
    Claire C. Carter,
    William L. Fox,
    & Rebecca Senf

  • Limited Edition: $1400.00
  • This special edition is limited to 10 copies, each signed and numbered.
    Included are two archival prints (images to the left) in a handbound portfolio.

This special edition of David Taylor: Monuments is limited to 10 copies, each signed and numbered. Included are two archival prints (images above) in a handbound portfolio.

ABOUT THE BOOK

In 2007 Arizona artist David Taylor began photographing the monuments that mark the border between Mexico and the United States west of the Rio Grande. Aiming to document each of the 276 obelisks installed by the International Boundary Commission following the Mexican-American War, Taylor’s project echoes a visual survey made by the photographer D. R. Payne between 1891 and 1895. While many people have photographed the border, there has been no complete documentation of the monuments in more than 100 years. This volume combines his complete series with texts by curator Claire C. Carter, writer William L. Fox, cultural geographer Daniel Arreola, and an interview with curator Rebecca Senf. Taylor’s extensive notes on the monuments are also included. This publication encapsulates a seven-year effort across 690 miles that functions equally as geographic survey, typology and endurance project. In the wake of immigration debates, the drug war and a post-9/11 security climate, the project frames the obelisks as witness to a shifting national identity as expressed through an altered physical terrain.

ABOUT THE ARTIST

David Taylor graduated with a BFA from The School of the Museum of Fine Arts and Tufts University in 1989. In 1994, he earned an MFA from the University of Oregon. Taylor’s work has been exhibited in institutions across the nation, among them the Museum of Contemporary Photography at Columbia College, The Aldrich Contemporary Art Museum, The New Mexico Museum of Art and the El Paso Museum of Art. His images can be found in the permanent collections of Fidelity Investments, the Museum of Fine Arts, Houston, the Museum of Contemporary Photography and the Palace of the Governors/New Mexico History Museum. A wide variety of publications have featured Taylor’s work, such as The New Yorker blogThe New York TimesThe Los Angeles TimesOrion MagazinePREFIX PHOTOFraction Magazine and the Mexico/Latin America Edition of Esquire Magazine, among others. In 2010, Taylor’s Working the Line was published by Radius Books and has since received multiple “best book” and design excellence awards.